On October 30, 1938, rising radio star Orson Welles boondoggles the American public into believing that Martians have attacked Earth. With his clever adaptation of The War of the Worlds, the great showman proves he can get away with anything — maybe even murder. Minutes before the fictitious invasion goes live on the air, a dead body is found in the studio and the polarizing Welles is the obvious suspect. Convinced that the star has been framed, Walter Gibson — creator of pulp superhero the Shadow — has exactly one hour, the length of the radio show, to solve the murder. But in show business, appearances are deceptive, and the facts of this case are not what they seem. The sixth in the series of Max Allan Collins’s disaster thrillers, The War of the Worlds Murder offers up historical high jinks of Welles-ian proportions.
