Retromania: Pop Culture's Addiction to Its Own Past by Simon Reynolds

Retromania: Pop Culture's Addiction to Its Own Past

Simon Reynolds
458 pages
Faber & Faber
Jul 2011
Arts & Photography WSBN
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We live in a pop age gone loco for retro and crazy for commemoration. Band re-formations and reunion tours, expanded reissues of classic albums and outtake-crammed box sets, remakes and sequels, tribute albums and mash-ups ...But what happens when we run out of past? Are we heading toward a sort of cultural-ecological catastrophe, where the archival stream of pop history has been exhausted? Simon Reynolds, one of the finest music writers of his generation, argues that we have indeed reached a tipping point and that although earlier eras had their own obsessions with antiquity - the Renaissance with its admiration for Roman and Greek classicism, the Gothic movement's invocations of medievalism - never has there been a society so obsessed with the cultural artifacts of its own immediate past. "Retromania" is the first book to examine the retro industry and ask the question: Is this retromania a death knell for any originality and distinctiveness of our own?
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Thought-provoking look at retro by English pop music critic

"Retromania" is a long, extensive thought-piece on the rise to dominance of "retro" culture by the expat British pop critic Simon Reynolds (b. 1963). While Reynolds looks at the influence of retro in many areas of culture, from fashion to cinema to television, the real focus is on pop music. As we are living through a (permanent?) high tide of retro, it is impossible to fully understand as it seems to swamp every aspect of our cultural lives, so it's hardly surprising that Reynolds seems at times puzzled by the phenomenon. But he approaches the topic with intelligence, honesty, an almost bizarrely extensive knowledge of pop music history, and also a flair for writing. I found the book to be fascinating and I am sure I will be reflecting on the ideas Reynolds presents in the future. Finally, I found Reynolds to be a pleasant critic with whom to explore this topic - he isn't grating in the way so many critics can be, which is no mean feat. I have a couple of comments and criticisms but let me start by summarizing the various parts of this sprawling and idea-filled book: Reynolds lays out the initial approach to "retro" in his introduction, wittily titled "The `Re' Decade." What is retro? Reynolds later on presents a parsing of the word when covering 1960s fashion. Writers on fashion differentiate between "historicism", which is inspired by styles from a fairly remote time period (say, the Edwardian period), and "retro", the self-conscious remaking of art initially made within living memory (e.g. writing a song that sounds just like Alice in Chains' 90s output). Reynolds rightly comments that the two categories flow into each other and points out how the 2000s (which he calls the "noughties") involved the recycling of every style. He senses that this re-cycling has overwhelmed the forward- or inward-looking creative impulse and wonders why this urge to recycle has become so strong and whether it portends a poverty of artistic creativity: "Is nostalgia stopping our c...

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About this book
Pages 458
Publisher Faber & Faber
Published 2011
Readers 4