My Soul to Keep: 9A Novel

Nan Lucas returns to the Tennessee town of her youth, where she comes across a strange boy who reminds her of a childhood friend who died mysteriously and who may be involved in a series of bizarre mishaps. 25,000 first printing. Read more Continue reading Read less FROM PUBLISHERS WEEKLY
Repressed-memory syndrome meets the paranormal in Memphis writer Hawkes's unconvincing tale, which lacks the suspense of her praised supernatural novel Julian's House. After New York fashion photographer Nan Lucas inherits her recently deceased grandmother's 200-year-old farmhouse in Tennessee's mountains, she embarks on a summer renovation project accompanied by her moody son, Stephen, an eight-year-old subject to phobias and nightmares. Stephen's imaginary playmate, Woody, whom he invented at age four, suddenly resurfaces, prompting the boy to hazardous actions. Yet Woody, who keeps manifesting in not-so-imaginary ways, may actually be the ghost of Tucker Wills, Nan's childhood playmate, who fell through the ice and drowned two decades earlier in a tragic accident, the details of which Nan has largely repressed. Drawing the reader into a vortex of haunted events, Hawkes creates intriguing characters: Sky, Nan's deceitful distant cousin, with whom she has an unwise affair; Gabe, her estranged, artist husband, who dumped her and now wants to get Stephen into psychotherapy; and Flutie Larkin, an old mountain woman who predicts the future using a "seeing quilt." Hawkes has a deft hand with the eerie, jarring details that precede and accompany visitations and spirit possession, but at its midpoint the story loses steam and rattles on with the predictability of a made-for-TV movie.
Copyright 1995 Reed Business Information, Inc. FROM LIBRARY JOURNAL
Nan Lucas, a New York fashion photographer, inherits her grandmother's Tennessee farm and spends the summer there with her eight-year-old son, Stephen, hoping to relieve her feelings of inadequacy as a mother and to recover from her failed marriage. She soon flings herself into the artistry of landscape photography and the arms of her strong, sexy cousin. Stephen, left to his own resources, invents an imaginary playmate whom Nan gradually realizes is hauntingly reminiscent of her childhood friend, Tucker, whose drowning she witnessed when she was nine. Nan's big city realism and her blocked memory of the early accident place her son in peril. Like Hawkes's Julian's House (LJ 10/15/89) , her second novel delves suspensefully into the supernatural. Nan's skepticism is a device that will engage even the cynical reader. Recommended for large fiction collections.?Sheila Riley, Smithsonian Inst. Libs., Washington, D.C.
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